CURRENT ALBUM TRACK INFORMATION

ASEDA OGA OGO: (Track 6 )This track, being the title track, is packed full of songs of reverence and worship unto God. Olusegun yields himself totally unto God in His majesty.

The track opens with Olusegun himself calling unto God in a chant in his own language. Telling God that it is the dawn of a new day and he has woken up to bow before Him in reverence to His name.

Olusegunfunmi introduces God to the world as one who is too marvelous for words. He also declares that God is beyond human comprehension, His wisdom is infinite and cannot be grasped.

Olusegunfunmi says there is no one like the Glorious Master and He is the Creator of the Universe which makes even the sun and moon bow before him in worship. The track progresses with more reverence to God and request for without God's favour, Olusegunfunmi cannot be where he is today.

ADURA MI GBA: (Track 4) This track is a song of victory. Olusegunfunmi declares that his victory over the enemies' wiles is as a result of his obedience to God who has said not to rely on any other powers except His, because he is omnipotent.

Olusegunfunmi fills this track with melodious, interesting and wonderful display of his saxophone with his gifted hands and mouth. Along with his saxophone, the use of the following ancient African traditional instruments were introduced: iya bata, omele bata, and apala

TO HIM WHO SITS ON THE THRONE: (Track 3) This is another heavenly inspired track that reaches down into the soul while listening to it. In this track, there is a beautiful blend of traditional and contemporary music. According to his mission statement, Olusegunfunmi goes back to his heritage, taking along with him the Western music, he dwells there and produces a unique and amazing music, which accommodates and unites both the African traditional music and Western music.

The track gives a glimpse of what the aura was like, when the twenty-four elders bowed down in worship unto God as recorded in Rev. 19: 4.

Olusegunfunmi went on to describe the holiness of God. He is God and cannot behold sin.

This track has the divine unction of transporting the listener into the presence of God. In addition to this, the penetrating and passionate way by which Segunfunmi blows his saxophone. He translates his feelings and his deep acknowledgement of the nature of God into his saxophone.

BABA MO MI LO: (Track 5) Of a truth shall a man leave his father and mother and cleave unto his wife. It is the injunction of God to all men. This track is for all women who have come to the point of their lives when they have to bid farewell to their parents and be joined to their husbands in holy matrimony. It is a traditional folk song that is widely sung among the Yoruba speaking community in Nigeria .

The track is about the bride asking for her father's blessings as she leaves for her husband's house. It is usually a passionate song that most times draws the bride to tears. Olusegunfunmi brings out the passion in the song through his own skills and also with the help of a particular tribe in Nigeria called Ilaje.

These are renowned for their skills in singing in a way and tone that softens the heart of even the hardest of hearts. Combining these two assets i.e. their skills and his, Olusegunfunmi produces a touching and heartfelt farewell song of the bride to her father. He introduces also, the reply of the father of the bride to his daughter. Granting her wish, he blesses her in return.

OPEN YOUR HEART: (Track 7) Olusegunfunmi, above all, remembers the great commission that the Lord Jesus gave to all believers that we should go into all the world and preach the gospel. Therefore, he invites those who have not had a personal encounter with the Saviour to come and experience the saving grace of Jesus. Just as he, Oluwasegunfunmi, had embraced the loving arms of Jesus at that concert and was totally transformed, he is calling out unto all men who have not seen the light to open their hearts and allow the King of Glory to come in.

ARUGBO OJO: (Track 9) Olusegunfunmi relives the title track in his debut album. This time, he did a little touching up with some feels of funk.

HIGH PRAISE: (Track 2 ) This track is the combination of some Nigerian languages while including the English language. This is the time to offer God praises in songs and dances. He inhabits the praises of His people and there is nothing else that can be offered Him except praises.

Our God is multi - linguist, therefore, no language is strange in His ears, moreover, he created them. (Remember the tower of Babel ). When used in praises unto Him, they all reach out to God in a sweet smelling savor.

Olusegunfunmi, through his High Praise, displays the wealth of his language, coupled with other languages from his own fatherland.

HEAVEN CAME DOWN: (Track 10 ) This is a soul inspiring hymn which Segun used to reflect back on what Christ did for us on the cross of Calvary by which we are all redeemed today.

Igbo & Urhobo: (Track 8 ) This is a spirit lifting song of the Igbo mix for powerful worship and total outreach with the heavenly. A combination of Urhobo traditional worship songs that gets you spirit filled and in the right mood for wanting to worship God even the more.